Frame
Top Mat
Bottom Mat
Dimensions
Image:
10.00" x 7.50"
Overall:
10.00" x 7.50"
Prague #2 Canvas Print
by Steven Richman
Product Details
Prague #2 canvas print by Steven Richman. Bring your artwork to life with the texture and depth of a stretched canvas print. Your image gets printed onto one of our premium canvases and then stretched on a wooden frame of 1.5" x 1.5" stretcher bars (gallery wrap) or 5/8" x 5/8" stretcher bars (museum wrap). Your canvas print will be delivered to you "ready to hang" with pre-attached hanging wire, mounting hooks, and nails.
Ships Within
3 - 4 business days
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Comments (3)
About Steven Richman
Steven Richman is an attorney practicing in New Jersey. He has lectured before photography clubs on various topics, including the legal rights of photographers. His photography has been exhibited in museums, is in private collections, and is also represented in the permanent collection of the New Jersey State Museum. He is the author of four photography books: The Bridges of New Jersey (Rutgers University Press), Mannequins (Schiffer Books), The Great Swamp (Schiffer Books) and Reconsidering Trenton (McFarland Publishers). He is also the author of The Photography Law Handbook, was just republished in its second edition in August 2021 by the American Bar Association. https://www.americanbar.org/products/inv/book/415257300/ See also...
$75.00
Steven Richman
Thank you for these very kind comments.
Sandy Tolman
Something about the feel of it - modern tourists - a moment of everyday life - reminds me of Eve Arnold's "all in a day's work" which I have in hardback, but your images are just as good or better.
Sandy Tolman
How did you get such good detail from so high up? Your bird's eye view gives an interesting angle! The couple conferring together are quintessential modern tourists. In their shadow all that makes them modern is erased and a truly romantic timelessness is cast; both they and their shadow touch these stones. The shadow could almost have been cast by any couple standing on those paving stones fifty or a hundred years before, but it belongs to them. It is interesting how the gray and blue grid of the gentleman's plaid shirt is echoed in the subtle gray and tan square on square mosaic grid of the pavement. Somehow, the lines of the couple's shadow are in perfect parallel with the grids of the paving stones - the shadow's heads framed perfectly in the center of a square in square.